curriculum vitae
Sandee Moore
2907 College Avenue
Regina, SK, S4T 1V4
E-mail: sandeemoore@gmail.com
Education and Professional Development
MFA 2002 Studio Arts, University of Regina, SK
BFA 1997 University of Victoria, BC
Selected Exhibitions
2022 The Mixer: The Ultimate Sk8 Activity Center revisited in “Video Games?” at Art Gallery of Grande Prairie. Curated by Manar Abo Touk.
2020 Nowhere/Anywhere at MacKenzie Art Gallery, Regina (online exhibition).
2017 Labyrinth: Surrey Condos Edition with Vinyl Village Expansion Pack at Arnica Artist Run Centre, Kamloops.
2016 Sorry I Couldn't Think of Anything Better to Put Here... in “Drawing Landscapes” at Newton Pop Up Gallery. Curated by AgentC Projects.
2016 It's Hard to Have an Original Idea without Just Regurgitating Others' Art in “On the Table” at The Dunlop Art Gallery, Regina, SK. Curated by Blair Fornwald, Jennifer Matotek, and Wendy Peart (catalogue).
2015 Labyrinth: Surrey Condos Edition in “Views from the Southbank III: Information, Objects, Mappings” at The Surrey Art Gallery. Curated by Jordan Strom.
2011 It’s Hard to Have an Original Idea without Just Regurgitating Others' Art presented by Plug In ICA for Nuit Blanche, Winnipeg.
2011 Imaginary Gift (solo exhibition)at EasternEdgeGallery,St. John’s, NF (catalogue).
2011 Wake Up Winnipeg (solo exhibition)atVideoPoolMediaArts Centre, Winnipeg.
2010 Family Values in “Endlessly Traversed Landscapes” for the 2010 Cultural Olympiad, Vancouver. Curated by Natalie Doonan.
2009 Keitai Tokyo in “As the Sidewalk Bleeds” at Platform Centre for Photographic and Digital Arts. Curated by J.J. Kegan McFadden.
2009 Yutopia in“The Arts of Togetherness” at The Gendai Gallery, Japanese Cultural Centre, Toronto. International two-person exhibition. Curated by Milena Placentile (catalogue).
2009 Silver Lining and Les Larmes in “Revolver” at Gallery 111, University of Manitoba. Curated by Cliff Eyland.
2008 “Posers: Performing a Fictional Self for Video (1986 - 2006)” for Eastern Edge Gallery, St. Johns, NF. (Curator)
2007 My Nose: I’m BOHUNKy-dory with It in “In the Blink of An Eye” at The Winnipeg Art Gallery. Commissioned by Shawna Dempsey & Lorri Millan, Adjunct Curators, Winnipeg Art Gallery.
2001- 2005 The Mixer: The Ultimate Sk8 Activity Center in “Godzilla Vs. Skateboarders” at The Godfrey Dean Gallery, Yorkton, SK, The Art Gallery of Southwestern Manitoba, Brandon, The Dalhousie Art Gallery, Halifax, The Mendel Art Gallery, Saskatoon, The Edmonton Art Gallery, Edmonton, The Blackwood Gallery, University of Toronto at Mississauga, The Dunlop Art Gallery, Regina. International group exhibition. Curated by Anthony Kiendl (catalogue)
2005 The Story of My Life, As Performed by Sandee Moore aceartinc., Winnipeg, MB (essay by Jeanne Randolph)
2005 Songs for Far Away Friends Video Pool, Winnipeg
2004 Hand to Hand Contact “An Incomplete and Anecdotal History of
Winnipeg Performance Art,” Winnipeg Art Gallery. Curated by Shawna Dempsey, Adjunct Curator (catalogue)
2003 Transmitting Community Neutral Ground Artist-run Centre,
Regina, SK
2002 Small Joys: Unexpected Ways for Art to Change the World, MFA
thesis exhibition, Mackenzie Art Gallery, Regina, SK
2000 In Sick & Hunger Neutral Ground Artist-run Centre, Regina, SK. Curated by Christine Shaw.
Selected Screenings
2022 Looking In A Mirror and Daring Myself to Cry in “Vidéos de femmes dans le parc (VFP) 31e édition” at Theatre de Verdure, Montreal. Curated by Groupe Intervention Vidéo.
2022 Looking In A Mirror and Daring Myself to Cry in “FemToba Film Fest,” Winnipeg.
2013 My Nose: I’m BOHUNKy-dory with It in “30 Years of Video Pool” at Video Pool Media Arts Centre, Winnipeg. Curated by Alex Poruchnyk.
2010 My Nose: I’m BOHUNKy-dory with It, “DEATH BY VHS: New Cinematic Discoveries From Winnipeg, Manitoba” at Pacific Cinematheque (Vancouver)
2008 My Nose: I’m BOHUNKy-dory with It at Edges Festival of Media Arts (Victoria)
2007 My Nose: I’m BOHUNKy-dory with It at The Gimli Film Festival (Gimli, MB), 50/104 (Regina) and WNDX Festival (Winnipeg).
2007 Keitai Tokyo, La Vaute/The Vault, GIV, Montreal
2005 Keitai Tokyo, Regina Festival of Cinematic Arts, Regina, Antimatter, Victoria, Images Film and Video Festival, Toronto
Live Performance Art
2019 Drone Day live audio performance presented by Holphone, Regina.
2019 A Third Skin Unites Us programmed in New Dance Horizons’ Stream of Dance, Regina.
2011 In Sick & Hunger presented by Art Souterrain for Nuit Blanche, Montréal.
Performer
2016 Lechedevirgen Trimegisto's Inferno Varité at Queer City Cinema Performatorium, Dunlop Art Gallery, Regina
2014 Made In Company's The Pysique of Consciousness in “Unscrolled: Reframing Tradition in Chinese Art”, Vancouver Art Gallery. Curated by Diana Freundl.
2010 Shawna Dempsey and Lori Millan's Winnipeg Tarot Company, Winnipeg
2008 Fastwurms' House of Bangs in “Donkey, Ninja, Witch” at Plug In ICA, Winnipeg
2001 Human Faux Pas at Neutral Ground, Regina
Artist Residencies
2020 Digital Artist In Residence, MacKenzie Art Gallery, Regina, SK
2009 Plug In Summer School, Winnipeg, MB 2004 Mukojima Artist in Residence, Tokyo, Japan
2003 Visiting Artist in Residence Alternator Gallery, Kelowna, BC
2003 Big Rock Candy Mountain thematic residency Banff Centre for
the Arts, Banff, AB
Published Writing and Conference Papers
“Conceptions of White” Galleries West, September 2022.
“The Misfortune Teller,” Moose Jaw Museum and Art Gallery, Sylvia Ziemann: Keeping House at the End of the World, (Moose Jaw: Moose Jaw Museum and Art Gallery, May 2022), Exhibition catalogue, accessed October 14, 2022, https://static1.squarespace.com/static/52eff134e4b0f098fa45a417/t/62c84e1605ec950a6b54d23d/1657294361726/Keeping+House+Brochure+Online+Version.pdf.
“Shelley Niro: Taking a good long look at stereotypes” Galleries West, March 2022.
“Beyond the Stone Angel: Artists reflect on the deaths of their parents in poignant show” Galleries West, January 2022.
“Postcommodity: Interdisciplinary art collective with a shared Indigenous voice offers art not as commodity but as ‘a great prayer’” Galleries West, October 2021.
“Provisional Structures” C Magazine, Issue 150, December 2021.
“Food in the Interactive Artworks of Sandee Moore.” Canadian Culinary Imaginations, edited by Shelley Boyd and Dorothy Barenscott, McGill-Queen's University Press, 2020, 333-347.
“Bathed in Rays of Dying Light featuring the work of Nicole Kelly Westman” BlackFlash issue 37.1 March 2020.
“Vic Cicansky” Border Crossings Issue 151 (volume 38, number 3), September 2019.
“Queer Art on the Prairies” Galleries West, August 2019.
“She Who Sees The Unknown” Galleries West, August 2019.
“Saskatchewan River Delta” Galleries West, June 2019.
“Amalie Atkins” Galleries West, May 2019.
“Walter Scott” Border Crossings Issue 149 (volume 38, number 1), March 2019.
“Rebecca Belmore: Facing the Monumental” Saskatoon StarPhoenix, April 10, 2019.
“Agnes Martin at the MacKenzie displays 'mature style” Saskatoon StarPhoenix, February 8, 2019.
“New Age Warriors” Galleries West, April 2019 “Are You My Mother?” Galleries West, February 2019 .
“Rirkrit Tiravanija in Saskatoon” Galleries West, February 2019.
“Punk Orientalism” Galleries West, January 2019 .
“Regina Akimblog” (Regular Visual Arts Column) Akimbo.ca Dec. 2016 – 2020.
“Bev Pike” (Review) Border Crossings Issue 146 (volume 37, number 2), June 2018.
“Sylvia Ziemann's Accidental Utopia” (Review) Galleries West, January 2018
“Remai Modern Opens in Saskatoon” Galleries West, October 2017
STUDIO (artist’s project) BlackFlash Magazine 34.3, Spring 2017
Canadian Culinary Imaginations Symposium, February 2016, Richmond, BC. Paper: A Taste for the Abject: Food in the Interactive Artworks of Sandee Moore.
“Rock of Ages” (Review) Canadian Art October 2011.
“ArtBurn” (Weekly Visual Arts Column) Uptown Magazine Sept. 2009 - 2011
“Pretend: Film and Video” (Review) Border Crossings Fall 2007
“Affirm/nation: Review of Jude Norris at Urban Shaman Gallery” C Magazine Winter 2005
“Electronic Audience: New Performance for Video” Poolside 2004
Spasm New Media Festival, Saskatoon June , 2004. Panelist: Godzilla: Dead or Alive
“What is a Happy Death?” writing on 101 Talismans for a Happy Death by Joe Conlon, Critical Distance, February 2004
Crossing Over: Negotiating Specialization in an Interdisciplinary Culture, Fall 2002, Regina. SK. Paper: I'm Totally, Like, Not Even An Expert In Anything At All
“Wildlife: A Review” in The New West Review, Fall 2001
Community Involvement
2019 - 2021 A Real Piece of... Art show host & producer, CJTR 91.3 FM Regina Community Radio
2017 - 2020 Treasurer, Neutral Ground Artist-run Centre
2013 - 2016 Volunteer Docent, Surrey Art Gallery
2009 - 2011 Treasurer, Plug In ICA
2007 - 2011 Treasurer, Send+Receive: A Festival of Sound
2008-2009 Secretary & Regional Co-director, Independent Media Arts Alliance
2007-2008 Board Member & Regional Co-director, IMAA
2007-2008 Board Member, Crossing Communities Art Project
2006-2007 City of Winnipeg Public Art Committee, member
2005-2007 Artspace Board and Management Committee, Secretary
2004-2005 Board Member and Programming Committee Member, Video Pool
2001-2002 Board member and programming committee member for Neutral Ground Artist-run Center